My personal view on anime, as it is become a visible media niche in the world. Just like any other media, it has its share of pukes and good ones....this is my view on it. Whimsical? Informative? Overly serious? Too silly? Why the hell am I still watching anime? Thoughts like this runs through my mind here.
The OP song is very generic, which is a surprise for manic Shinbo. The art quality is a bit disconcerting, some people are wondering aloud why the character design looked horrible as the trailer suggest.
Ah well.
Apparently marketing guys of the anime bribed bloggers to write glowing stuff on this series and some anime fans frowned on this. How true it is, I don't know.
These dudes love the old series Mospeada (most US viewers will remember this one from Robotech chimera back in 80s) so they mod the bike to resemble the Mospeada famous suit as much as possible.
Apparently the OP was leaked by some negligence by GONZO. Here it is. The vilianess (I assume) looks the same as the Guild leader from Last EXILE. Same designer, same template? Very dynamic and fluid OP.
Licensed and released by Viz Media in manga format for USA market soon, this action packed anime created by Miwa Shirou talks about gunslingers / desperadoes who were genetically enhanced / mutated living in a dystopian, post apocalyptic future. 4 main players who have troubled past seeks answers to it or some redemption from their generally pretty shitty life. 2 OVAs / OADs were confirmed for the story, 1st one will be released on 19th May 2009. An albino gunslinger,a bad of sense direction ex killer, a mute swordsgirl and a chain smoking mercenary will be main characters. Some fans describe this "futuristic version of Black Lagoon".
Tatsuya Abe (Tona-Gura!): Director Kiyoko Yoshimura (Chocolate Underground, Linebarrels of Iron): Scriptwriter Hiroyuki Kanbe (Chrono Crusade and Rosario + Vampire Capu2): Character Designer David Production: Studio Goro Taniguchi (Code Geass: Lelouch of the Rebellion, Planetes, Linebarrels of Iron): Assistant.
Of Otaku and Fansubs: A Critical Look at Anime Online in Light of Current Issues in Copyright Law
Jordan S. Hatcher opencontentlawyer.com
Script-ed, Vol. 2, No. 4, 2005
Abstract: The advent of digital technology and increased global connectivity has, to put it mildly, caused some ripples for the entertainment industry specifically and copyright law generally. In the aftermath, many are searching for new ways to incorporate the benefits of digital copies and the internet while minimizing the harms. To some, the anime industry and its fans offer examples of how an industry can benefit and even grow from allowing copyright infringement. This article examines the anime industry in-depth with this suggestion in mind and places the industry among current copyright policy debates, such as those suggested by Lawrence Lessig.
Quite up to date and erudite discussion from law's point of view on fansubbing, especially with Berne Convention definition of copyright. USA and Japan are signatories of the Treaty hence technically fansubbers were in direct violation of the said treaty.
However some people might argue the treaty was outdated and needs to be revised to reflect grey area between legitimacy and illegal in copyright issues posed by fansubbers potentially.
