An old article from CNN, talking about Japan's soft power; a sort of continuation from previous entry.
'Soft power' part of balancing act
By Geoff Hiscock
CNN
(CNN) -- Soft power, or the art of influencing people to like you, is a growing part of Japan's perennial balancing act with the world.
For a taste of Japan's soft power, look no further than "Gedo Senki" (Tales from Earthsea), the blockbuster animated movie that has just knocked "Superman Returns" from the No. 1 spot in the Tokyo box office stakes.
The Earthsea stories come from the pen of American fantasy writer Ursula K. Le Guin, but it is Japan's anime (animation) world that has most fervently embraced her characters.
Anime and its print sister manga (comics) are part of Japan's huge otaku (think fan or nerd) culture that is fixated on fantasy, robots, dolls, swap cards, video games, role playing, costumes and other such accoutrements.
And while geekdom in Japan is a big business, it is even bigger globally, with scores of anime and gaming-related conventions tracked by international sites such as www.otakuworld.com.
In September alone, for example, fans can attend Dragon-Con in Atlanta, Animania in Sydney, Australia, Fumettopoli in Milan, Italy and Connichi in Kassel, Germany.
The otaku world is but one of the many projections of cool Japan. From fashion to food to film and a dozen other cultural avenues, Japan is a global player.
Fashion designer Nigo, architect Tadao Ando, novelist Haruki Murakami, baseball star Ichiro Suzuki, footballer Hidetoshi Nakata and actor/singer Takeshi Kaneshiro are just some of the skilled exports who provide a "soft power" counterpoint to Japan's underwhelming performance in the international political arena.
Full article is here
Sunday, October 5
Soft Power Discussion no 2.
Akaha, Tsuneo. "Debating "Soft Power" in Japan's Security Policy: Implications for Alliance with the United States"
Abstract: In this brief analysis, we will look at the ongoing Japanese discussion on soft power and consider its implications for the U.S.-Japan alliance. We will first discuss the concept, as developed by Joseph Nye, its potential and limitations as an instrument of national policy. We will then examine how the Japanese are using the concept in discussing their nation's security policy. In the process we will identify some indicators of Japan's soft power. We will then explore the implications of Japan's interest in expanding its soft power for its security alliance with the United States.
This article discusses the correlation of cultural trade between economic and military superpowers of current day. How bridging cultural can do for expression of cooperation and collective security in the region made possible by larger acceptance of popular pop trade namely anime, jpop and movies from Japan. A bit overstretch but this Japanese interpretation of Joseph Nye's idea of soft power concept. This time, it is other way around, with Japanese soft power vis-a-vis USA exportation of rap, Hollywood and consumer goods like Levis.
Full article here
Abstract: In this brief analysis, we will look at the ongoing Japanese discussion on soft power and consider its implications for the U.S.-Japan alliance. We will first discuss the concept, as developed by Joseph Nye, its potential and limitations as an instrument of national policy. We will then examine how the Japanese are using the concept in discussing their nation's security policy. In the process we will identify some indicators of Japan's soft power. We will then explore the implications of Japan's interest in expanding its soft power for its security alliance with the United States.
This article discusses the correlation of cultural trade between economic and military superpowers of current day. How bridging cultural can do for expression of cooperation and collective security in the region made possible by larger acceptance of popular pop trade namely anime, jpop and movies from Japan. A bit overstretch but this Japanese interpretation of Joseph Nye's idea of soft power concept. This time, it is other way around, with Japanese soft power vis-a-vis USA exportation of rap, Hollywood and consumer goods like Levis.
Full article here
First impressions: Kannagi/ かんなぎ
Nice pacing, well placed humor and unmistakable Yamakan's touch all over the place. Dynamic camera angle and good placement of background music. It is faithful to the manga source so far. Lush animation especially the OP and main character is quite interesting. Former A class staffers from Kyoto Animation gesture of revenge against Kyoto Animation for cashiering Haruhi's director into bin after early Lucky Star fiasco.
I wonder if this series is the reason why Haruhi S2 got delayed? Remains to be seen.
Earlier entry and trailer
Haruhi Season 2 and Kannagi's relationship?
Saturday, October 4
First impressions: Tora Dora/ とらドラ
It was pleasant introduction that moves rather quickly in pacing which a rarity in anime. Rie Kugiyama sounds more matured and she brings out the darker tinge of Taiga, which enhances the character considerably. Taiga sounded menacing yet she is absurdly comical with her reactions to her surroundings. Fans of Toradora actually wanted her to take this role despite she has been repeatedly typecast into tsundere roles way too often (Shana, Zero no Tsukaima). She paid back with spades in Toradora with restrained voice acting that actually suited Taiga's characterization.
The only problem is lack of introspection especially Taiga which made the light novel a delightful read.
The team supposedly well staffed with competent people, writer (Okari Mari) who did Rozen Maiden, also responsible for Aria and Sketchbook series. Director (Nagai Tatsuyuki) crafted Honey and Clover and also helped in Mai Hime/Otome series.
Preview from earlier entry
Enjoy.
Tuesday, September 30
Moe/ 萌え
Definition: oe (萌え, Moe? /mo.e/, pronounced "mo-eh" literally "budding", as with a plant) is a Japanese slang word originally referring to fetish for or love for characters in video games or anime and manga. (Wikipedia, 2008)
It's difficult. They immediately become the subjects of lolicon fetishism. In a sense, if we want to depict someone who is affirmative to us, we have no choice but to make them as lovely as possible. But now, there are too many people who shamelessly depict (such heroines) as if they just want (such girls) as pets, and things are escalating more and more
- Hayao Miyazaki
The anime maestro like Miyazaki is expressing worry about anime fans hyper emphasize certain traits of female character while ignoring the rest. That shows how powerful demand is, to have a "moe" characteristics. That to me, is a symptom of selective viewing by anime fans which undermine the character real strength and integrity. It is tough to have normal, mentally matured female anime characters in current mainstream shows. Miyazaki style female characters are very notable for their strength, courage and believable human traits but to have him prompted such opinion means this aspect was often overlooked by his audiences.
Few like Shinbo made this a running gag in his latest series, Sayonara Zetsubo Sensei. He shamelessly portrayed the girls in very compromising scenes that is designed to create the moe as form of mockery; the characters doing 4th wall jokes hitting on this at the same time.
Mikuru
Sometimes I do wonder if people watching anime for story or just more baser fulfillment of certain paradigms (hence my largely negative outlook of shows like Lucky Star). A thing come to mind when I did a review on Haruhi, I commented wryly if the most fans were watching it for sheer brilliant discussion on science fiction concepts like Singularity or powerful questions of "Why are we here?" or checking out the short skirts of their school uniform and other physical traits for moe appeal (Asahina Mikuru is good example here). Even Macross Frontier has to morphed the idol image to be more moe (Ranka Lee's signature pose) versus a more traditional idol star in mold of Lin Min Mei ( in form of Sheryl Nome). It is as if Kawamori put these 2 idols and have them fight each other as statement of his view on the issue.
Ranka Lee
Sheryl Nome
Another troubling aspect is the focus on childlike qualities to elicit the moe appeal. I do wonder if it issue of most anime fans simply refuse to grow up and the market feeds on their insecurity/fears of adulthood in vicious circle. Asian culture itself venerated youth appeal especially females as purity of essence for thousands of years. No exception here, from China to southern archipelago of South Pacific. Japan just take the step further and twist it into more sophisticated childlike infatuation art. Some social commentators even went as far that 30 something Japanese women actually has to resort to giggle like a school girl or cuddle a teddy bear in order to get hitched by guys. Seriously, WTF.
Strike Witches
Demands fuel supply and such as moe now becoming more pervasive as anime fans with money demanded it in home market of Japan. To me, it is a self made vicious cycle; studios keep churning out the moe anime at the expense of good storytelling and fans to lap it up without restraint, demanding more. "Moe" should be a bonus, not a driving force in anime storytelling. A good example is the recently concluded (when this post is made) Strike Witches. What is the point of this anime if not appealing to twisted segment of anime population that can't grow up? It is troubling enough to note that all the principal female characters are very young looking but the final nail is the fact they don't wear pants. The fact it is quite popular disturbs me even further.
I have grave misgivings for future of mainstream anime.
Miyazaki's complaint
Balanced Wiki entry
It's difficult. They immediately become the subjects of lolicon fetishism. In a sense, if we want to depict someone who is affirmative to us, we have no choice but to make them as lovely as possible. But now, there are too many people who shamelessly depict (such heroines) as if they just want (such girls) as pets, and things are escalating more and more
- Hayao Miyazaki
The anime maestro like Miyazaki is expressing worry about anime fans hyper emphasize certain traits of female character while ignoring the rest. That shows how powerful demand is, to have a "moe" characteristics. That to me, is a symptom of selective viewing by anime fans which undermine the character real strength and integrity. It is tough to have normal, mentally matured female anime characters in current mainstream shows. Miyazaki style female characters are very notable for their strength, courage and believable human traits but to have him prompted such opinion means this aspect was often overlooked by his audiences.
Few like Shinbo made this a running gag in his latest series, Sayonara Zetsubo Sensei. He shamelessly portrayed the girls in very compromising scenes that is designed to create the moe as form of mockery; the characters doing 4th wall jokes hitting on this at the same time.
MikuruSometimes I do wonder if people watching anime for story or just more baser fulfillment of certain paradigms (hence my largely negative outlook of shows like Lucky Star). A thing come to mind when I did a review on Haruhi, I commented wryly if the most fans were watching it for sheer brilliant discussion on science fiction concepts like Singularity or powerful questions of "Why are we here?" or checking out the short skirts of their school uniform and other physical traits for moe appeal (Asahina Mikuru is good example here). Even Macross Frontier has to morphed the idol image to be more moe (Ranka Lee's signature pose) versus a more traditional idol star in mold of Lin Min Mei ( in form of Sheryl Nome). It is as if Kawamori put these 2 idols and have them fight each other as statement of his view on the issue.
Ranka Lee
Sheryl NomeAnother troubling aspect is the focus on childlike qualities to elicit the moe appeal. I do wonder if it issue of most anime fans simply refuse to grow up and the market feeds on their insecurity/fears of adulthood in vicious circle. Asian culture itself venerated youth appeal especially females as purity of essence for thousands of years. No exception here, from China to southern archipelago of South Pacific. Japan just take the step further and twist it into more sophisticated childlike infatuation art. Some social commentators even went as far that 30 something Japanese women actually has to resort to giggle like a school girl or cuddle a teddy bear in order to get hitched by guys. Seriously, WTF.
Strike WitchesDemands fuel supply and such as moe now becoming more pervasive as anime fans with money demanded it in home market of Japan. To me, it is a self made vicious cycle; studios keep churning out the moe anime at the expense of good storytelling and fans to lap it up without restraint, demanding more. "Moe" should be a bonus, not a driving force in anime storytelling. A good example is the recently concluded (when this post is made) Strike Witches. What is the point of this anime if not appealing to twisted segment of anime population that can't grow up? It is troubling enough to note that all the principal female characters are very young looking but the final nail is the fact they don't wear pants. The fact it is quite popular disturbs me even further.
I have grave misgivings for future of mainstream anime.
Miyazaki's complaint
Balanced Wiki entry
Friday, September 26
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