Wednesday, August 30

Seikai no Monshu/Crest of the Stars (1999)



Story & Characters
Here I will review Crest of the Stars also known as Seikai no Monshu to anime fans around the world.

It chronicles the tale of an intergalactic empire known as Abh whom their origins used to be slave workers for early space explorers who rebel and become independent empire on their own as time goes by. Their biological construct uniqueness is an addition of another sensory organ that enabled them to feel their way around in vast space plus their biological life is extended to 200 years to sustain a long journey in harsh space. The hedonistic nature of their creators also implied when the Abhs will never age and all of them is supposedly beautiful humans with blue hair. I will leave to reader's imagination as to what the last purpose for.

The Abhs is not interested to conquer the actual planets itself, but rather they wanted exclusive control of space routes around the planets for space travelling purposes, especially the control of worm gates or called planar gates in this story.

One of the planet colonized by humans, known as Martine is Anglo based culture which recently conquered by the Imperial Abh Empire in the beginning of the story. The leader of the planet was raised into nobility much to the chagrin of the populace and his son is the next on the line, to succeed him as Duke. On the day of him joining the Abh's Star Force, he will meet a person that would forever change his life.

Lafiel, a princess from Abriel clan is a recruit on a frigate who volunteered to pick up heir to Martin dukedom, Jinto from a spaceport. She is proud, strong and can be conceited as sharp contrast to kind, accommodating and patient Jinto. Both of them started on rather interesting place on the fact that Jinto insisted to call her by her personal name which made her very happy as she interprets it as he did not regard her as a royalty to be feared but a common friend that she longs for.

This relationship will bloom further in the background of impending war between the Abh Empire and United Mankind, a group of intergalactic superpowers who is opposed to ways of Abh. The United Mankind, much quite similar to today's United Nations is conglomerate of superpowers who cherish natural human birth and disdained Abh's genetic manipulation, looking for pretext to declare war on Abh.

What make this story remarkable is author's attempt to flesh out the culture of Abh including creation of Baronh, language of the Abhs with complete writing and numerical symbolisms. The background is rich and almost limitless, thanks to adroit writing by Morioka Hiroyuki, novelist of the Seikai series.



Art
The art of the series is quite minimalist, given most of the time is just unfanciful headshots and lots of dialogue between character. However sometimes it has weird angle shots on certain torsos of the Abh, notably Lafiel which I interpret as sexual transistor scenes to relieve the boredom of long talks which occupies the onus of the series.

Background is pretty sufficient for its purpose, battles is good enough to be seen as battles. Every sprite is not wasted on fanciful things, it is just enough and it is there to fulfil the purpose of the story. Character's face is bordering on simplicity especially Lafiel, not too much for my liking but it is enough.

All in all, there is nothing exception on art department



Sound

The background music of series hinged heavily on orchestral scores and quiet background as dialogue played a major role in the anime. Some scenes need extra oomph which where this piece of effective music comes in and supplant it as those scene to rely on art alone will be bland and a bit uninspiring. Some scores is bit overused but it is not really a big issue in the 13 episode series.

The opening is evocative of grand epic atmosphere which did real justice to the vastness of space opera story in Seikai no Monshu but unfortunately the ending score is bit off, as it did not really wrap up the series in proper mood.

The OST of the series is not bad but nothing really stands out except for the opening score.

Voice acting in Japanese is very competent as usual and it is quite a joy to see Kawasumi Ayako (Saber from Fate/Stay Night 2006) playing her role as Lafiel/Lamhirh well. She alone carry the show well, complimented by expected skillful voice actings from other actors and actresses.




Presentation

The fact this anime become one of the most beloved series to many serious anime fans who truly appreciated its sheer complexity despite rather minimalist art and music department, is testimony to it's raw power of good writing, powerful script and convincing characters.

Seikai no Monshu deserves many second viewing as many nuances of story is missed during first time watching it. The story has many layers of complicated character, setting and political implications that fans will be delighted when they have revelation during second viewings.

It is not surprise that many mainstream anime fans give it a wide berth as there is no cool action or fox ninjas in the series but seasoned veteran anime fans will like it as it did not insult viewer's intelligence while presenting the material. Many things is implied and left to interpretation of viewers instead of being spoon fed in entirety. The dialogues is good and carries a big weight so much so that it is the sole difference of it from the rest of forgettable anime series in the market right now.

The stellar cast also did not disappoint as not only the voices suits the character in play, they also interesting by themselves. Seldom there is anime where side characters have received as much attention as the main characters as this one. Illuminating interactions between Admiral Spoor and Lafiel, despite it is being short and simple did illustrate many things in context of Abh culture if viewer willing to take it beyond the surface level of conversation.

This series is worthy introduction into Morioka Hiroyuki's work and it will sit on my DVD shelf as proud as the Abh themselves. Daiselle!

Emerging from dad’s shadow

For the son of a world-famous animator who has faced opposition from even his father, Goro Miyazaki has been remarkably cool about tackling a major project of Studio Ghibli, the animated fantasy feature Gedo Senki – his film debut, writes TOKIKO OBA

Sunday August 20, 2006

GORO Miyazaki has some good reasons to feel under pressure. He’s director of Gedo Senki (Tales from Earthsea), the latest feature from Studio Ghibli, one of the world’s most important animation studios, despite being a complete novice: The movie, based on a best-selling book by Ursula K. Le Guin, marks his film production and directorial debuts. If that isn’t pressure enough, he also has the towering reputation of his father and Ghibli head, Hayao Miyazaki, hanging over him.

To make matters tougher still, the 65-year-old Miyazaki senior initially voiced strong opposition to his son’s involvement in the project. So how has he been dealing with the pressure?

Full article is available here.

It is difficult to have a brillant dad moreso in the same field that you trying to make a living. I have yet to watch Gedo Senki, but so I heard it is pretty faithful to the material.....however no conclusions can be make since the movie is not seen by me so far.

Will comment more on this if I got to watch it.

Tuesday, August 29

Japan's secret epidemic

By Julian Ryall in Tokyo

Monday 31 May 2004, 0:33 Makka Time, 21:33 GMT


"Hikikomori" is not a word that crops up too often in polite society in Japan.

It is a problem that someone else has to deal with; a situation that families think - hope - will not affect them.

The bad news is that an affliction that translates as "social withdrawal", which has only really begun to be recognised in the last decade, is now reaching epidemic proportions.

According to Japan's Ministry of Health, Labour and Welfare, as many as 1.2 million people have fallen victim to an illness that few people, if any, know how to handle.

The outward manifestation that a family is suffering, however, fits a pattern.

Al Jazeera article on hikkimori

Interesting article on hikkimori from one of world most dynamic news group.

Monday, August 28

Anime conquers the world

A book by Philip Brophy taps the peculiar charm of Japanese animation, writes Cefn Ridout

August 16, 2006

ANIME (animated films) and manga comics have long displaced tea ceremonies and Zen as Japan's foremost cultural exports. In 2003, anime accounted for 60 per cent of all broadcast animation worldwide and the industry is projected to become a global entertainment behemoth worth more than 10 trillion yen ($115 billion).

Not bad for what was, barely 15 years ago, primarily a direct-to-video niche market.
What went right? Breakthrough successes such as the television series Pokemon and Yu-Gi-Oh and feature films such as Katsuhiro Otomo's Akira and Hayao Miyazaki's Oscar-winning Spirited Away tell only part of the story.

Full Article is here

American fiction franchises adopt manga influences

By Wilma Jandoc

It seems like everything's going for that Japanese look these days.

Three well-known series of American fiction get this treatment with Harlequin Romance's Ginger Blossom manga line; graphic novels drawn in Japanese-manga style that bring to life teen detective Nancy Drew, celebrating 75 years of the 18-year-old's exploits; and a "Star Trek" series by various artists and writers that follows the crew of the original USS Enterprise.

All three translate well into manga form, though not without a few flaws.

Full Article is here

I have to admit, Star Trek manga idea did not jive very well with me. It is just strange to combine these 2 concepts together. Really, really strange.

Anime and manga fans get no respect, writes Jen Gerson

Aug. 27, 2006. 01:00 AM
JEN GERSON

Say what you will about Stephen Harper, Canada will be spared the indignity of an anime-loving head of state.

The people of Taiwan were not so lucky. In 2004, former president Lee Teng-hui dressed up as the stubborn kendo master Heihachi Edajima from a popular Japanese comic book series Sakigake!! Otokojuku. With flowing martial arts robes, bamboo sword and sidekicks in tow, Lee strutted his stuff for publicity pictures.

At this year's Fan Expo Canada lovers of anime and manga, Japanese cartoons and comics respectively, will be out in force. And they'll be eliciting groans from the more established echelons of sci-fi and fantasy geekdom.

"To a lot of people, (anime fans) are on the lower rungs of the nerd ladder," says Dave Alexander, from Rue Morgue, a magazine that showcases the horrific and macabre and also hosts the Expo's Festival of Fear wing. "Closed quarters do not make a good arena for giant props ... when you're walking around in a crowded convention centre and you see a guy with a sword made out of papier-mâché twice the size of his body, it can be pretty annoying."

Full article is here.


Even in Malaysia, anime fans were tend to be viewed with derision and laughter from general public. You can say it is geek discrimination.