Thursday, April 9

Code Geass and Malaysian Politics? Marcos and Voltes 5?


It was indeed surprising and relieving to hear Prime Minister Najib Abdul Razak announcing the release of 13 Hindraf detainees and lifting the temporary ban on opposition newspapers.
This move is somewhat parallel to ex-prime minister Abdullah Ahmad Badawi’s promising speech for reforms when he entered office in 2003, only that PM Najib’s move was one of ‘action speaks louder than words’.



Najib’s action reminds me of Code Geass, a Japanese anime about the struggle of Japan against Britannia, a powerful nation that had colonised Japan and renamed that nation to ‘Area 11’.

In one scene the opposition, Order of the Black Knights, had gained substantial popularity in Area 11, especially amongst the Japanese because of their ability to win many battles against Britannia in their revolt. They are seen to be the messiahs for the Japanese and many threw their support behind the Order of the Black Knights.

This situation is synonymous to the opposition in Malaysia. The Order of the Black Knights has a reason to revolt – Britannia’s unjust treatment against the Japanese, which includes discrimination, deletion of their national identity, et cetera.



Pakatan Rakyat has a reason to strive – the ruling government’s unjust implementation of policies, corruption, discrimination, draconian laws, etc.

At the peak of the story, a new Britannia governor for Area 11 was sworn in and made her first speech – in which she reestablished Japan’s name and identity, Britannians and Japanese were now equal. This speech’s impact was far reaching.

The Britannians, who were comfortable with being of a higher status were not happy. The Order of the Black Knights, meanwhile, lost their cause to fight, because what they were fighting for had been fulfilled.



Therefore, it is no surprise that after PM Najib’s speech of releasing the Hindraf detainees and lifting the ban on opposition newspapers has somewhat diminished temporarily the purpose of PR.

If PM Najib were to go all the way and erase every single reason for Pakatan’s establishment, BN will definitely regain the confidence of the people. However, just like in the anime, it might come with a price in that perhaps the comfortable cronies would lose out.

In any case, PM Najib must not use this affirmative action for reforms as a veil over allegations of his alleged involvement in the murder of Altantuya.

He must indeed be cleared of any involvement through court proceedings. PM Najib, your good deeds will not even out or cover the serious allegations against you. The truth will.


Article in question



Amusing article from Malaysia Kini using anime as analogy to explain political situation. Last time it is the story of Philippine's Marcos and Voltes 5. In this historical case study, President Marcos known for his kleptocracy and corrupted regime, abetted by his greedy wife Imelda banned Voltes 5 anime series after rebels rally around this superobot series to chastise his administration indirectly.

When Voltes was rebroadcast again after the revolution (1986) that brought down Marcos regime, it was greeted with cheers by hard suffering Filipinos as symbolic victory just like how Voltes bring down the evil oppressive regime of Horned Humans in the anime series.

The History of Marcos and Voltes 5

Cheers.


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Wednesday, April 8

Tuesday, April 7

History of Hatsune Miku development.



With English subtitles (turn on the caption by clicking off annotations at bottom right of the video). Earlier entry. What an amazing technology.

Cheers.



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Mandalay Pictures acquire rights to Full Metal Panic


Zac Efron expressed interest in latest adaptation of anime into live action, Full Metal Panic!. Mandalay Pictures announced the acquisition to the famous Japanese mecha//school life series few hours ago. Mandalay Pictures produced few of my favourite movies; Sleepy Hollow and Enemy at the Gates.

No director or anyone else announced for it yet. It is sensible commercial choice, considering it is one of the success story of mainstream anime series in 2000s.

Source news


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Positive view on current anime industry?

In the weeks leading up to the Tokyo International Anime Fair (TAF) 2009, the Japanese film Tsumiki no Ie (La Maison en Petits Cubes) won the Academy Award for best animated short film amid dismal economic news pouring in from around the world.

Despite the dark clouds, the fair's organizers predicted attendance would rise to 130,000 visitors, up from last year's 126,622. They were almost exactly on the nose, as the final figure came in at 129,819.

But the number of exhibitors at the March 18-21 event at the Tokyo Big Sight convention center in Ariake, Tokyo, dropped for the first time in its eight-year history, to 255 from last year's figure of 289.


Full Article

What's significant here is despite the sustainable otaku/fandom crowd (I do wonder how many are local versus foreign) , the industry itself is in dire need to reform. Anime industry practices did not change much from Osamu Tezuka days of "cheap and cheerful" labour (some commentators blamed him specifically for this current malady) to churn out animation products as much as possible using economies of scale.

The middle person got too much cut from the profits and proceeds which leaves very little to the animators. Now what's worst, Japanese animation companies subcontracting to even cheaper nations like Vietnam, China, Korea or Philippines for cost cutting measure. This has led to substandard quality like a shocking episode 9 of Macross Frontier (2008).

It remains to be seen if the positive view is hollow or something that we all can chew on.

An opposite view on the matter.



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Monday, April 6

First Impressions : Natsu no Arashii / 夏のあらし!



Frankly, this series managed to hook me. Very interesting use of time travel and paradoxes though the male lead (Hajime) is annoying me with his pettiness: blusterous, possessive and tantrum prone to the max.

It is known that Kobayashi (the mangaka) tends to self insert in the stories so I wonder if Shades is him. This series is also quite liberal with fan service with so many female characters in the story.

Character wise it is pretty normal but it is use of special powers like matter manipulation and time travel that intrigues me to the potential of the story here. With Shinbo style of imagery is absent most of the 1st episode (the ED vid is his trademark though), the angles were interesting enough to accentuate the situation.



Overall, it is an above average start so far. Will follow it to see where the story goes to.


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