Titan the Robot

This is awesome robot suit (there is a performer inside), made this company called Cyberstein Robots. Where people see entertainment, I see the future power armour that can easily converted into combat missions in this one.

Apparently the company is tight lipped about the development of Titan but one rumor is performers were expected to be nimble with console controls to operate the suit. The suit also have power for 30 minutes duration. That is major problem for any aspiring power armour design: power packs.



10 years from now, don't be surprised to see a power suit based on this design.

Otoyomegatari / 乙嫁語り/ The Bride's Story art showcase

Look at the sheer beauty of this scene. No run-of-the-mill mangaka can pull this kinda stuff. It requires patience, passion and love for the craft to produce this kind of detailing (the fabric weaves and patterns are behold to look at). Kaoru Mori, famous for her work in Shirley and Emma (both set in Victorian era England) is penning this story about Central Asia newly wed couple in slice of life story. I suspect it is situated in Kazakhstan based on costumes the manga shown so far (all the hints: is the story is based on Silk Road life in 19th or early 20th century and an off hand comment that "people of the north" are encroaching on their life which sounds like Russians asserting their power over the steppe nomads). The story pacing is slow so far (as expected from her work) but the historical detailing is pretty high standard if anyone reads Emma can remember.













The videos showing stage by stage work of the art. Lots of slow, painstaking stuff here. This Japanese website have more details on this. Amazon Japan is selling the 1st volume. This is kinda stuff that gives me reason why I love art and drawing in 1st place.

Cheers.

Ghost in the Shell Live Action Updates

Laeta Kalogridis is the new scriptwriter for current 3D project of highly anticipated (or highly dreaded) project Ghost in the Shell adaptation to silver screen. In her filmology, she is also wrote for Pathfinder (yuck, remember whale blubber is explosive) and Alexander (so so only)Jamie Moss is the 1st writer for the project. I liked Jamie's work in Street Kings (awesome movie).

However! I do notice she is credited as co-writer for planned James Cameron (a notorious perfectionist) project Battle Angel. Battle Angel is Cameron's adaptation of Battle Angel Alitta mangas, I suspect he is waiting to see audience's reaction to Avatar scheduled to be aired later this year for any decisions regarding about Battle Angel.

However it still remains up in the air if Ghost in the Shell movie will take off or not. I wish to see how Hollywood interpret this work, to be honest. With Dreamworks providing the firepower, it is pretty likely this project will be interesting and become a reality instead stuck in development hell. Hopefully.

Source

Nostalgia: Judo Boy!

Very old series that tickled me back then for sheer cheesiness. It is funny as hell and just retro as hell too. Very, very cheesy.

Will new Astro Boy CG movie destroy the old spirit?

I heard and read many angry retorts from fans about this upcoming movie, citing that using extensive CG will destroy the old spirit that gives Astro Boy its charm. To me, I am don't really bothered by it since anime is medium of expression. CG or hand drawn did not matter in the end since most crucial is the deliverance of a good, solid entertaining story. Afterall, it is what film making is all about. Honestly sometimes I think people need to relax and accept it as alternative expression of similar material.

I will watch the movie without any prejudice, that's for sure.

More discussion here
IMDB entry

Bakemonogatari / 化物語 receipe of success?

According to sources, Bakemonogatari, the relatively unknown and under-the-radar series when it started took the fandom by storm as the DVD and Blu Ray sales of 1st volume shown. 56,000 is a very good figure, beating even moelicious, overhyped K-On! by wide margin.

For Japanese anime industry standard it is a fantastic figure given it is not very hyped up like K-On! or have illustrious predecessors like Macross Frontier. What more, Shaft is often running short of animators (they still advertising for qualified animators) so a lot scenes were minimized or replaced with stock footage, turning it into glorified drama radio. I even read rumors of Shaft Studio often racing against deadline all the time due to lack of manpower.

The series also use a lot of fast cuts to minimize action and some episodes have more talking heads than anything else. What worked for them is judicious use of all anime female trope they can muster and one straight talker in Hitagi Senjougahara who seens to be antithesis of what is considered as standard moe label. She is easily the most popular female character after Mio from K-On!. Not to mention, Akiyuki Shinbo, master of minimalist and creative camera angles is helming the series. If anyone looked into his filmography, one will struck by how many unusual anime series he made like Starship Yamamoto Yoko or Soul Eater. However sometimes he can overboard like looping jokes of nose bleed seen in Mariaholic. I often remarked on how well he seems to be doing with minimal approach, he often let the audience to fill in the blanks instead of telling the audience the entirety of the story he presented. And it worked beautifully in some series like Bakemonogatari.

With all these stacked up against the success, they managed to strike gold. Remarkable.